Dishonored Pc Game Review

Dishonored Pc Game Review




Dishonored's engrossing world and intoxicating interplay of supernatural powers make it a game you'll want to play more than once.
The Good
Great suite of abilities encourages creativity   Spacious environments riddled with pathways and secrets   Lovely design brings the city to life   Superbly voiced cast of interesting characters.
Dishonored is a game about many things. It's about revenge; armed with deadly weapons and supernatural powers, you seek vengeance upon all of those who orchestrated your downfall. It's about a city; the plague-ridden industrial port of Dunwall is lovely to behold, exciting to explore, and seething with secrets. It's about people; an array of vibrant characters await you, and as you get to know them, you are drawn further into their intrigues, hopes, and heartbreaks. But above all, it's about choice. The incredible variety of ways you can engage or evade your enemies makes Dishonored impressively flexible and utterly captivating.

You play as Corvo Attano, former bodyguard to the empress and current death row inmate. The prologue chronicling Corvo's crime not only inflames your desire for revenge, but also sparks your affection for a vulnerable character. These dual fires foreshadow the choice you have to make each time you encounter an enemy: do you walk the bloody path of brutal vengeance, or take the nonlethal high road and rise above the violence that suffuses the city? Your actions have small, yet tangible consequences throughout your quest, and it's up to you to decide what kind of retribution you want.

A cadre of conspirators helps you escape imprisonment, and you find out that they are plotting to bring down the very men who wronged you. These characters embody familiar archetypes--the dutiful admiral, the egotistical nobleman, the cheeky servant--but Dishonored is not content with one-dimensional portrayals. An excellent voice cast (which includes a number of notable actors) and stylish character design help bring these people to life. As you listen to them talk (you remain mute throughout), read their journals, eavesdrop on conversations, and learn whispered secrets from an arcane, psychic item you acquire, you come to know the characters and the world they live in. This kind of knowledge is engaging, so even when the main plot follows some well-trodden paths, you're always interested and eager to press on.

Exploring Dunwall is another one of Dishonored's great pleasures. The city prospered from the whaling trade in the recent past, but has fallen on hard times since the influx of a deadly plague. Brick walls and wooden beams loom over alleys crawling with rats, while granite facades and metal barricades block off the cobblestoned plazas of the wealthier neighborhoods. Dunwall evokes a British city in the grip of the industrial revolution, but painterly coloring and slightly exaggerated proportions give the place a unique feel. The lovely artistic design shines on the PC, bursting with detail and making Dunwall an immensely appealing place to inhabit.

Of course, there are tangible benefits to exploration as well. Sewers, alleys, apartments, and estates all hide items that restore your health, reinforce your arsenal, teach you secrets, or allow you to gain new supernatural powers. The large areas you must traverse to get to your targets are riddled with out-of-the-way places to explore, and finding them reveals not only hidden goodies, but alternate routes as well.

Figuring out how to move through the environments is an enjoyable pursuit, and one of the first powers you get allows you to teleport a short distance. The quick pop and blurry whoosh of this power provides a nice audiovisual accompaniment to the thrill of defying natural law, and if you choose to supernaturally augment your jumping ability, your range of locomotion is drastically increased. Though you'll likely have some awkward moments as you try to go places that the game won't let you, Dishonored's level design is consistent enough to make such moments easy to avoid once you get the hang of things.


In addition to these superhuman movement abilities, you can choose the power of possession. Slipping into the skin of a rat or the scales of a fish allows you to navigate small tunnels and reach new areas, and when leveled up, you can even possess other humans for a short while. Acquiring and improving your supernatural powers requires runes, though, and there aren't enough for you to max out every power. There are no bad choices, thankfully, though some clearly favor lethal or nonlethal approaches. Pacifists will appreciate the ability to stop time, for example, while assassins might favor the power that instantly turns corpses to ash.

Powers are equipped in your left hand and are accessed with a radial menu. This menu also contains your pistol and your crossbow, each of which has a few different ammo types. Sleep darts are the only nonlethal munition in the bunch, and they are invaluable to players who try to play the entire game without killing anyone (yes, it's possible). The rest of your options are decidedly deadly, including grenades and razor-flinging proximity mines.

With such nasty weaponry and formidable powers at your disposal, you have a startling array of ways to deal with hostiles. Simply sneaking by them is often effective, as is creeping up from behind, applying a sleeper hold, and dragging the bodies to a dark corner. Killing can be quiet too. A deadly drop from above makes no noise, and a properly timed windblast can blow an enemy off a high ledge, never to be seen again. If you prefer to see the whites of their eyes, your sword is always in your right hand, ever ready to duel. You are a formidable swordsman, able to block and counterattack against most blows, but clanging swords bring more guards or thugs, and they won't wait until their allies are out of the way to take a shot at you.



Enemies are prone to fatal dips in intelligence from time to time, but they are generally tenacious and alert enough to put up a decent fight. Once you start experimenting with powers, weapons, and environmental elements, Dishonored's amazing flexibility shows its stuff. Summon a swarm of rats to devour an enemy, and then possess one of the rats to sneak up behind those foes who come running. Blow enemy projectiles back in their faces, killing them instantly. Freeze time, enter a room with hostiles, drop a live grenade, exit and close the door, and then watch the explosion through the keyhole.

Sure, you didn't really have to watch, but taking a playful approach can result in even more supernatural fun. Blow bottles off a shelf from a hidden perch to terrify the maids. Snatch a painting while a guard is looking at it instead of waiting for him to walk away. Throw a corpse off a balcony onto a guard, but freeze time before it hits, so you can watch his reaction when you appear in front of him as he gets clobbered from above. Dishonored has multiple save slots available, and taking advantage of the ability to tear things up and then reload a fresh start encourages you to engage in some absolutely delightful mayhem.

Yet even though it allows you to wipe the recent slate clean, Dishonored still begs to be replayed from the beginning. Unlocking different powers, finishing missions in different ways, striving to be more or less murderous, and seeing a different endgame all offer appealing incentives to give it another go. It's a rare game that feels so compulsively replayable, but Dishonored is such a game. The compelling abilities, the bold artistic design, the colorful characters, and above all, the freedom of choice--these are the things that mark Dishonored as one of the truly remarkable games of this year.

BioShock Infinite Game Review

The 13 Biggest nitpicks of BioShock Infinite

Our tiniest gripes with BioShock's grand sequel

The air up there

Cloud heights range anywhere from 500 ft to 30,000 ft. Judging by the duration of Booker's rocket ascent, we're guessing his altitude upon landing on Columbia's steps was somewhere in the middle. We'll say 15,000 ft, to be safe. As anyone who's taken a rocket to extreme altitudes such as this can attest, one does not simply step out from a pressurized cabin and breath in the cool, elevated air. In fact, without any form of acclimatization, one usually loses their breakfast and/or ability to function real quick.

We won't even get in to the science of living high above the clouds on buildings that bob up and down at unsettling speeds. That's a topic reserved for people more scientifically minded than us. Suffice to say, humans can live in some pretty harsh altitudes and conditions, but it usually takes time to get used to such climates. One theory is that Booker's initial baptism into Columbia was a scientific process meant to adjust his lungs to Columbia's air. But what about his initial visit to the Welcome Center? Booker should have been painting those pretty walls with his lunch and desperately scrounging for an antacid.

Far Cry 3 Game Review

Far Cry Game Review



The game brings the tropical jungle setting to life with wild animals running everywhere and trees as far as the eye can see (well, not really that far, but you get my point). The graphics are gorgeous and the only problem I found with them was that the PlayStation 3 (the system used to test the game) couldn't handle the draw distance like a PC could. This isn't really a fault of the game as much as it is the fault of the aging hardware in the seven year old consoles. The aesthetics are really beautiful too, with lush green forests and blue oceans. There’s also a dynamic weather system that might need you to change your play, depending on, for example, how heavy it’s raining.

On the game-play side of things, Far Cry 3 has ditched many of Far Cry 2’s idea while retaining others, for better or for worse. The major idea retained is that of enemy checkpoints. Only, instead of like FC2 where the enemies would just respawn after 15 or so minutes, this time, once you capture an enemy outpost, you keep it for good. This completely removes the presence of enemies (pirates or privateers) in the area and gives you new side-missions to do, like the Wanted Dead quests or the Trial of the Hunter quests. .However, this gave way to a new problem in the form of lack of anything to fight once you capture everything. This takes away a lot from what makes the game fun when you first start playing it, as there isn’t anything to fight or hide against anymore after you capture every outpost. 

When it comes to the story, the game has a simple revenge plot that manages to become thoroughly deep thanks to the excellent writing. While there are issues with the typical “white man saves natives” story, the redeeming factor is mostly a major antagonist, Vaas. Vaas is like the Joker as a pirate. He’s got some great moments and is basically one of the best antagonists that gaming has seen since the likes of GlaDOS. Vaas is what makes the otherwise horribly linear and sometimes boring story missions of the game worth playing. The game also has some great music, which can occasionally cause some dissonance. The soundtrack ranges from moody ambient music to catchy dubstep.

The game has a very deep crafting system that lets you upgrade your stuff. For example, you can only carry one weapon with you in the beginning of the game. But, spend enough time hunting and you’ll basically be a walking arsenal. Don’t be fooled, though. This is not a survival game like S.T.A.L.K.E.R. This is a straight out action game where you’re basically John Rambo. Even the leveling system is built specifically to support this. Leveling up lets you pick a new skill from one of the three skill trees – the Heron, the Shark and the Spider. They stand for raw power and damage absorption, high-caliber distance fighting and mobility, and stealth and hunting, respectively. It also seems like the trees aren't mutually exclusive and you can eventually get every skill in each tree. 

Most of the fun you’ll have in the game comes not from the story missions. In fact, the most epic moments come from the open world. You can go around taking out enemy outposts in the most bad-ass ways possible, including being completely undetected and killing everyone with a knife. Another way to do this would be to just run in with a flamethrower and burn everything and everyone you see. Yet another way to do this would be to somehow lure a tiger or bear into the enemy outpost and let the animal take them out. The game’s mechanics are specifically built to make you look as bad-ass as possible. It benefits from having mechanics that seamlessly meld into each other, letting you switch between stealth, action and exploration at will.

The story missions are where the game falters due to their extremely linear nature. Very rarely are you left to your own devices in the story, and many missions are plagued by what seems to be a standard in Ubisoft’s games these days – the instant fail condition. An early mission comes to mind where you have to sneak round a boat graveyard. The moment you are spotted, you have to restart the mission.